{"id":4589,"date":"2021-06-14T12:37:31","date_gmt":"2021-06-14T10:37:31","guid":{"rendered":"https:\/\/thearchaeologist.news\/?p=4589"},"modified":"2021-06-14T12:37:32","modified_gmt":"2021-06-14T10:37:32","slug":"the-french-palace-of-versailles-moves-to-shanghai-virtually","status":"publish","type":"post","link":"https:\/\/thearchaeologist.news\/thearch\/en\/the-french-palace-of-versailles-moves-to-shanghai-virtually\/","title":{"rendered":"The French Palace of Versailles moves to Shanghai virtually"},"content":{"rendered":"\n<p>The impossibility of visiting the Chinese prompted the French Palace of Versailles to give them the opportunity to visit it virtually through a digital exhibition in Shanghai, with about 2,000 visitors a day, as announced the palace administration.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"409\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/1-4.jpg?resize=618%2C409&#038;ssl=1\" alt=\"\" class=\"wp-image-4590\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/1-4.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/1-4.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/1-4.jpg?resize=768%2C509&amp;ssl=1 768w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/1-4.jpg?resize=310%2C205&amp;ssl=1 310w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The exhibition, entitled &#8220;virtually Versailles&#8221;, opened last February at the &#8220;Sintiandi Style&#8221; mall in Shanghai, and will continue until the end of next May, and it used new virtual tools that provide an immersive and interactive visit, including 360-degree video technology, digital bicycles, holograms and virtual reality.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"412\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/2-3.jpg?resize=618%2C412&#038;ssl=1\" alt=\"\" class=\"wp-image-4591\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/2-3.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/2-3.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/2-3.jpg?resize=768%2C511&amp;ssl=1 768w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/2-3.jpg?resize=310%2C205&amp;ssl=1 310w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>This sensory and interactive journey extends over an area of \u200b\u200babout 2,500 square metres, and allows entry into the main places, groups and moments in the history of the Palace of Versailles, as explained by its management.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"445\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/3-2.jpg?resize=618%2C445&#038;ssl=1\" alt=\"\" class=\"wp-image-4592\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/3-2.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/3-2.jpg?resize=300%2C216&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/3-2.jpg?resize=768%2C553&amp;ssl=1 768w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Through three-dimensional scenes, it is possible to see the stages of the construction of the palace until the signing of the Treaty of Versailles with Germany in 1919. The visitor also learns about its most famous sections, such as the Mercury Salon, the Hall of Mirrors, the Royal Opera and the Battle Gallery.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"411\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/4-2.jpg?resize=618%2C411&#038;ssl=1\" alt=\"\" class=\"wp-image-4593\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/4-2.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/4-2.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/4-2.jpg?resize=768%2C510&amp;ssl=1 768w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/4-2.jpg?resize=310%2C205&amp;ssl=1 310w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The exhibition also introduces its visitors to statues, paintings, characters and major events in French history, from the 16th to the 19th centuries.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"463\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/5-2.jpg?resize=618%2C463&#038;ssl=1\" alt=\"\" class=\"wp-image-4594\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/5-2.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/5-2.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/5-2.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The exhibition will tour other 7 Chinese cities: Beijing, Shenzhen, Hangzhou, Wuhan, Chengdu, Chongqing and Xi&#8217;an.<\/p>\n\n\n\n<p>Source: AFP<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The impossibility of visiting the Chinese prompted the French Palace of Versailles to give them the opportunity to visit it virtually through a digital exhibition in Shanghai, with about 2,000 visitors a day, as announced the palace administration.<\/p>\n","protected":false},"author":5,"featured_media":3456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":""},"categories":[137],"tags":[3166,3165,3351,3167,3170,3354,3168,323,3169,3353],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/03\/\u0642\u0635\u0631-\u0641\u0631\u0633\u0627\u064a.jpg?fit=850%2C653&ssl=1","jetpack-related-posts":[{"id":4584,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/louvre-palace-the-most-popular-in-the-world-publishes-its-entire-collection-of-art-online-for-free\/","url_meta":{"origin":4589,"position":0},"title":"Louvre Palace, the most popular in the world, publishes its entire collection of art online for free","date":"June 14, 2021","format":false,"excerpt":"Museum-lovers can now visit the Louvre, the most popular and famous museum in the world, right from home.","rel":"","context":"In &quot;Museums &amp; Galleries&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/05\/\u0645\u062a\u062d\u0641-\u0627\u0644\u0644\u0648\u0641\u0631.jpg?fit=440%2C295&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1631,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/mr-khaled-hiatlih\/","url_meta":{"origin":4589,"position":1},"title":"Khaled Hiatlih","date":"September 27, 2020","format":false,"excerpt":"Mr. Khaled Hiatlih a Palestinian- Syrian archaeologist, Before the conflict in Syria, he was associated with the Directorate General of Antiquities and Museums in Damascus. 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Mr. Showhan was responsible for several archaeological missions\u2026","rel":"","context":"In &quot;Researchers&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2020\/10\/Research-yasser.jpg?fit=1200%2C799&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4186,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/the-egyptian-museum-in-al-tahrir-is-on-the-preliminary-list-of-world-heritage-sites\/","url_meta":{"origin":4589,"position":4},"title":"The Egyptian Museum in Al-Tahrir is on the preliminary list of World Heritage Sites","date":"May 20, 2021","format":false,"excerpt":"The Egyptian Ministry of Tourism and Antiquities announced that the World Heritage Committee of the United Nations Educational, Scientific and Cultural Organization","rel":"","context":"In &quot;News&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/04\/\u0627\u0644\u0645\u062a\u062c\u062d\u0641-\u0627\u0644\u0645\u0635\u0631\u064a-\u0628\u0627\u0644\u062a\u062d\u0631\u064a\u0631-1.jpg?fit=740%2C555&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4569,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/exhibit-of-17th-century-scents-at-a-dutch-museum\/","url_meta":{"origin":4589,"position":5},"title":"Exhibit of 17th-century scents at a Dutch museum","date":"June 13, 2021","format":false,"excerpt":"Scents of the seventeenth century are the subject of a new exhibition entitled \"The Smell of Art: Passing - Smells in Color\" at the Mauritshaus Museum in The Hague that focuses on its effects on art and the daily life.","rel":"","context":"In &quot;Museums &amp; Galleries&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/03\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627.jpg?fit=850%2C580&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts\/4589"}],"collection":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/comments?post=4589"}],"version-history":[{"count":1,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts\/4589\/revisions"}],"predecessor-version":[{"id":4595,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts\/4589\/revisions\/4595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/media\/3456"}],"wp:attachment":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/media?parent=4589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/categories?post=4589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/tags?post=4589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}