{"id":4569,"date":"2021-06-13T01:27:20","date_gmt":"2021-06-12T23:27:20","guid":{"rendered":"https:\/\/thearchaeologist.news\/?p=4569"},"modified":"2021-06-13T01:27:23","modified_gmt":"2021-06-12T23:27:23","slug":"exhibit-of-17th-century-scents-at-a-dutch-museum","status":"publish","type":"post","link":"https:\/\/thearchaeologist.news\/thearch\/en\/exhibit-of-17th-century-scents-at-a-dutch-museum\/","title":{"rendered":"Exhibit of 17th-century scents at a Dutch museum"},"content":{"rendered":"\n<p>Scents of the seventeenth century are the subject of a new exhibition entitled &#8220;The Smell of Art: Passing &#8211; Smells in Color&#8221; at the Mauritshaus Museum in The Hague that focuses on its effects on art and the daily life.<\/p>\n\n\n\n<p>And in part, (this means that not only golden age art can be seen but also smelled) eight long-disappeared scents were recreated and placed in aerosols in front of artworks.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"463\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627.jpg?resize=618%2C463&#038;ssl=1\" alt=\"\" class=\"wp-image-4570\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>The Dutch Republic&#8217;s \u201cprosperity&#8221; was a bad-smelling period: the canals were full of excrement, chemical residue, and Waste residues, not to mention the city&#8217;s animals and stinking occupations like leather tanning.<\/p>\n\n\n\n<p>But it wasn&#8217;t all bad, as the merchant ships brought all sorts of &#8220;attractive&#8221; spices like cinnamon, nutmeg, black pepper, and Delicious like coffee, tea and tobacco, and these scents also mixed in the place.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"618\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627-2.jpg?resize=618%2C618&#038;ssl=1\" alt=\"\" class=\"wp-image-4571\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627-2.jpg?w=850&amp;ssl=1 850w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627-2.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627-2.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627-2.jpg?resize=768%2C768&amp;ssl=1 768w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>Museum curator Ariane van Suechtelen explains: \u201cThe painters deliberately gave place to these new goods and scents to illuminate the experience of senses, and they wanted to make the smell visible and the paintings became a stage for sensory perception.<\/p>\n\n\n\n<p>Holland Museum<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scents of the seventeenth century are the subject of a new exhibition entitled &#8220;The Smell of Art: Passing &#8211; Smells in Color&#8221; at the Mauritshaus Museum in The Hague that focuses on its effects on art and the daily life.<\/p>\n","protected":false},"author":5,"featured_media":3448,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":""},"categories":[137],"tags":[3166,3340,3165,3339,3167,3170,3341,3168,323,3169],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/03\/\u0645\u062a\u062d\u0641-\u0647\u0648\u0644\u0646\u062f\u0627.jpg?fit=850%2C580&ssl=1","jetpack-related-posts":[{"id":4584,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/louvre-palace-the-most-popular-in-the-world-publishes-its-entire-collection-of-art-online-for-free\/","url_meta":{"origin":4569,"position":0},"title":"Louvre Palace, the most popular in the world, publishes its entire collection of art online for free","date":"June 14, 2021","format":false,"excerpt":"Museum-lovers can now visit the Louvre, the most popular and famous museum in the world, right from home.","rel":"","context":"In &quot;Museums &amp; Galleries&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/05\/\u0645\u062a\u062d\u0641-\u0627\u0644\u0644\u0648\u0641\u0631.jpg?fit=440%2C295&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4488,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/panic-in-berlins-museum-island-mystery-shrouding-the-vandalism-attacks\/","url_meta":{"origin":4569,"position":1},"title":"Panic in Berlin&#8217;s Museum Island, mystery shrouding the vandalism attacks","date":"June 10, 2021","format":false,"excerpt":"Dozens of artifacts and Artistical works in the most famous museums in Berlin were vandalized by unknown people, and the German authorities reserve this vandalism for nearly two weeks.","rel":"","context":"In &quot;Damage Pictures&quot;","img":{"alt_text":"\u0627\u0644\u0645\u0635\u062f\u0631 - \u0633\u062a\u064a\u0641\u0627\u0646\u064a \u0644\u0648\u0633 \u0648\u0643\u0627\u0644\u0629 \u0627\u0644\u0635\u062d\u0627\u0641\u0629 \u0627\u0644\u0641\u0631\u0646\u0633\u064a\u0629","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2020\/10\/\u0627\u0644\u0645\u0635\u062f\u0631-\u0633\u062a\u064a\u0641\u0627\u0646\u064a-\u0644\u0648\u0633-\u0648\u0643\u0627\u0644\u0629-\u0627\u0644\u0635\u062d\u0627\u0641\u0629-\u0627\u0644\u0641\u0631\u0646\u0633\u064a\u0629.jpg?fit=639%2C426&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4186,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/the-egyptian-museum-in-al-tahrir-is-on-the-preliminary-list-of-world-heritage-sites\/","url_meta":{"origin":4569,"position":2},"title":"The Egyptian Museum in Al-Tahrir is on the preliminary list of World Heritage Sites","date":"May 20, 2021","format":false,"excerpt":"The Egyptian Ministry of Tourism and Antiquities announced that the World Heritage Committee of the United Nations Educational, Scientific and Cultural Organization","rel":"","context":"In &quot;News&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/04\/\u0627\u0644\u0645\u062a\u062c\u062d\u0641-\u0627\u0644\u0645\u0635\u0631\u064a-\u0628\u0627\u0644\u062a\u062d\u0631\u064a\u0631-1.jpg?fit=740%2C555&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4515,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/the-pipe-of-freedom-a-painting-dating-back-to-1869\/","url_meta":{"origin":4569,"position":3},"title":"The pipe of freedom, a painting dating back to 1869","date":"June 11, 2021","format":false,"excerpt":"The \"Pipe of Freedo\" was created in 1869 by Thomas Stuart Smith, is currently on display at the Stirling Smith Museum of Art, in central Scotland.","rel":"","context":"In &quot;Old Pictures&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/01\/\u0644\u0648\u062d\u0629-\u063a\u0644\u064a\u0648\u0646-\u0627\u0644\u062d\u0631\u064a\u0629-1.jpg?fit=620%2C371&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1026,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/the-cultural-cost-of-the-beirut-port-explosion\/","url_meta":{"origin":4569,"position":4},"title":"The cultural cost of Beirut port explosion","date":"August 5, 2020","format":false,"excerpt":"The damage of the Beirut port explosion continues to appear, indicating the extent of the catastrophic devastation that afflicted the city and the whole country. The political and economic costs are very large, but what about the cultural and heritage damages? Beirut contains many museums, ancient and historical buildings and\u2026","rel":"","context":"In &quot;News&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2020\/08\/116801319_10157994936401715_4042915196265788462_o.jpg?fit=526%2C702&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1858,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/abdul-rahman-al-yahya\/","url_meta":{"origin":4569,"position":5},"title":"Abdul Rahman Al Yahya","date":"October 17, 2020","format":false,"excerpt":"Abdul Rahman Al Yahya is an engineer who has worked at the General Directorate of Antiquities and Museums since 1999, where he worked within the engineering and buildings department. He was a supervisor over several projects within the M'arat al-Numan Museum, such as the Maarat al-Numan Museum maintenance project, Khan\u2026","rel":"","context":"In &quot;Researchers&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2020\/10\/Research-Abdulrahman.jpg?fit=1200%2C799&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts\/4569"}],"collection":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/comments?post=4569"}],"version-history":[{"count":1,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts\/4569\/revisions"}],"predecessor-version":[{"id":4572,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/posts\/4569\/revisions\/4572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/media\/3448"}],"wp:attachment":[{"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/media?parent=4569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/categories?post=4569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thearchaeologist.news\/thearch\/wp-json\/wp\/v2\/tags?post=4569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}