{"id":4502,"date":"2021-06-11T11:46:33","date_gmt":"2021-06-11T09:46:33","guid":{"rendered":"https:\/\/thearchaeologist.news\/?p=4502"},"modified":"2021-06-11T11:46:34","modified_gmt":"2021-06-11T09:46:34","slug":"the-lost-libyan-shadow-theater-revived-in-ghadames","status":"publish","type":"post","link":"https:\/\/thearchaeologist.news\/thearch\/en\/the-lost-libyan-shadow-theater-revived-in-ghadames\/","title":{"rendered":"The Lost Libyan Shadow Theater Revived in Ghadames"},"content":{"rendered":"\n<p>The House of Culture in Ghadames held a workshop directed to volunteers in the field of cultural heritage protection, which focused deeply on intangible cultural heritage in Libya, where the artist \u201cYoussef Al-Kurdi\u201d gave performances in the shadow theater, which was the culmination of the workshop that lasted for several days<\/p>\n\n\n\n<p>&#8220;When everyone&#8217;s thinking is about survival, it is easy for important colors to disappear from culture during the daily fears trip.&#8221;<\/p>\n\n\n\n<p>Youssef Al-Kurdi has worked on the screen and stage for a long period of his life, but after his retirement he decided to give performances for the shadow theater, as he hosted free shows in the Square of Algiers in Tripoli during RAMADAN month, and these performances carried deep moral messages to the Libyan public, where the Kurdi concentrated General of his shows on romantic stories that highlight the vital role of women in supporting society.<\/p>\n\n\n\n<p>Al-Kurdi draws the features of his characters on heavy paper, and then he cuts them, writes texts and performs all the sounds himself. He stated: \u201cI try to keep my performances short, maybe only 15 minutes, but I fill them with black comedy that will entertain the children as well as their parents. I know that my messages have arrived when I see Smiles emanate from the audience\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"618\" height=\"464\" src=\"https:\/\/i0.wp.com\/thearchaeologist.news\/wp-content\/uploads\/2021\/06\/2222.jpg?resize=618%2C464&#038;ssl=1\" alt=\"\" class=\"wp-image-4503\" srcset=\"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/2222.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/2222.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/2222.jpg?resize=768%2C576&amp;ssl=1 768w\" sizes=\"(max-width: 618px) 100vw, 618px\" data-recalc-dims=\"1\" \/><\/figure>\n\n\n\n<p>On the occasion of the workshop, Al-Kurdi commented about the importance of the lost Libyan shadow theater: \u201cWe lose our culture, especially in these times, when everyone\u2019s thinking is about survival, it is easy for important colors to disappear from the culture during the daily fears trip, so I offer free shows for Shadow puppets, not only because I enjoy it, but to achieve two purposes at the same time, as these performances support Libyan art and represent an investment in the younger generation, which is the most important investment we can make now, because after years from now a child from the audience may make dolls and do what I do now, Which keeps this art alive.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The House of Culture in Ghadames held a workshop directed to volunteers in the field of cultural heritage protection<\/p>\n","protected":false},"author":5,"featured_media":1520,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":""},"categories":[133,66],"tags":[3166,3165,3310,3167,3311,3170,3168,323,3169,613,3172,3174,3171,3173,3175],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2020\/09\/\u0642\u062f\u0645-\u0627\u0644\u0643\u0631\u062f\u064a-\u0639\u0631\u0636\u0627-\u0644\u0644\u0645\u062a\u0637\u0648\u0639\u064a\u0646-\u062e\u0644\u0627\u0644-\u0648\u0631\u0634\u0629-\u063a\u062f\u0627\u0645\u0633.jpg?fit=1536%2C1152&ssl=1","jetpack-related-posts":[{"id":4432,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/community-responses-to-protecting-archaeological-sites-during-conflict\/","url_meta":{"origin":4502,"position":0},"title":"Community responses to protecting archaeological sites during conflict:","date":"June 6, 2021","format":false,"excerpt":"Evidence from Northwest Syria A Briefing Paper by Adnan Almohamad published by CARA Download the English PDFDownload","rel":"","context":"In &quot;Articles &amp; Research&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/Syrian-Archaeology-ffff-scaled.jpg?fit=1200%2C567&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4456,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/adnan-almohamad\/","url_meta":{"origin":4502,"position":1},"title":"Adnan Almohamad","date":"June 7, 2021","format":false,"excerpt":"Adnan Almohamad: A Syrian archaeologist and researcher, graduated from Damascus University and then obtained a master's degree in Archaeology in the Ancient Near East and Egypt from Charles de Gaulle University - France in 2008. From 2009 to 2014, he lectured on ancient ceramics in the Department of Archaeology at\u2026","rel":"","context":"In &quot;Researchers&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/06\/Research-Adnan.jpg?fit=1200%2C799&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4565,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/archaeologists-examine-the-skeleton-of-a-roman-soldier-who-tried-to-save-people-from-vesuvius-volcano\/","url_meta":{"origin":4502,"position":2},"title":"Archaeologists examine the skeleton of a Roman soldier who tried to save people from Vesuvius volcano","date":"June 13, 2021","format":false,"excerpt":"Archaeologists in Italy are studying the remains of a Roman soldier buried in the sand in Herculaneum when Vesuvius erupted on October 24, 79 AD, and the presence of this Roman soldier indicates that hundreds of ancient Romans who fled the eruption of Vesuvius were just minutes away from being\u2026","rel":"","context":"In &quot;Articles &amp; Research&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/05\/\u0622\u062b\u0627\u0631-\u0628\u0648\u0645\u0628\u064a.jpg?fit=380%2C200&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4579,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/fossil-footprints-tell-story-of-prehistoric-parents-journey\/","url_meta":{"origin":4502,"position":3},"title":"Fossil Footprints Tell Story Of Prehistoric Parent&#8217;s Journey","date":"June 14, 2021","format":false,"excerpt":"Hungry giant predators, treacherous mud and a tired, probably cranky toddler - more than 10,000 years ago, that was the stuff of every parent's nightmare.","rel":"","context":"In &quot;News&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2020\/10\/\u0627\u0644\u0645\u0635\u062f\u0631-\u062c\u0627\u0645\u0639\u0629-\u0643\u0648\u0631\u0646\u064a\u0644.jpg?fit=600%2C600&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4506,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/new-almost-non-destructive-archaeogenetic-sampling-method-developed\/","url_meta":{"origin":4502,"position":4},"title":"New, Almost Non-Destructive Archaeogenetic Sampling Method Developed","date":"June 11, 2021","format":false,"excerpt":"An Austrian-American research team (University of Vienna, Department Evolutionary Anthropology and Harvard Medical School","rel":"","context":"In &quot;Articles &amp; Research&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/thearchaeologist.news\/thearch\/wp-content\/uploads\/2021\/05\/\u0627\u0644\u0645\u0635\u062f\u0631-Kiss-Pal-Museum-1.jpg?fit=640%2C480&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1858,"url":"https:\/\/thearchaeologist.news\/thearch\/en\/abdul-rahman-al-yahya\/","url_meta":{"origin":4502,"position":5},"title":"Abdul Rahman Al Yahya","date":"October 17, 2020","format":false,"excerpt":"Abdul Rahman Al Yahya is an engineer who has worked at the General Directorate of Antiquities and Museums since 1999, where he worked within the engineering and buildings department. 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